From Densely Filled Vistas to Empty Piazzas. City Images Interpreting the Oscillating Dynamisms of Urban Reality

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dc.contributor.authorSomhegyi Zoltán
dc.contributor.departmentMűvészettörténet Tanszék
dc.contributor.departmentMűvészettudományi és Szabadbölcsészeti Intézet
dc.contributor.institutionKRE – Bölcsészet- és Társadalomtudományi Kar
dc.date.accessioned2023-11-23T07:42:23Z
dc.date.available2023-11-23T07:42:23Z
dc.date.issued2021
dc.description.abstractCities have been inspirational for the creators of visual art works long since, first as mere secondary, additional motifs to indicate the “urban” environment of the main scene, then as subject-matters in their own right. Those images could depict both imaginary and actual cities of the past and of the future, including mythological and Biblical locations, documenting distant lands and fantasizing on the appearance of utopian cities. In some of these aspects, the history of city representations shares significant similarities with the history of landscape depictions.
dc.format.page33 p
dc.identifier.citationSomhegyi Zoltán: From Densely Filled Vistas to Empty Piazzas. City Images Interpreting the Oscillating Dynamisms of Urban Reality. On The Waterfront 63. évfolyam, 4. szám, 2022. 3-35 p.
dc.identifier.doi10.1344/waterfront2021.63.4.01
dc.identifier.issn1139-7365
dc.identifier.issue4. szám
dc.identifier.jtitleOn The Waterfront
dc.identifier.mtmt32050917
dc.identifier.uri https://hdl.handle.net/20.500.14834/506
dc.identifier.volume63. évfolyam
dc.languageangol
dc.language.isoen
dc.subjectvárosi reprezentáció ; urbán túlnépesedés ; urbán kiüresedés ; urbán esztétika
dc.subject.mabBölcsészettudományok::Művészettörténeti és művelődéstörténeti tudományok
dc.titleFrom Densely Filled Vistas to Empty Piazzas. City Images Interpreting the Oscillating Dynamisms of Urban Reality
dc.typeArticle
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